My new anvil arrived today.
Here it is fresh out of the box. It's a 35 pound anvil from Cliff Carroll's Horseshoers Supplies. I think I'm going to be very pleased with it.
I went to BeadFest in Arlington, TX recently and acquired some more hammers and other things, including this very small Fretz hammer. I'm going to use it to do things like the cuffs, only in minature. I have earring sized fold forming projects in mind.
That cuff in between the hammers is the reason why I got the anvil. I had to anneal it about six times and it took forever because my little 4 inch bench block was bouncing around when I hit it. It was fun to make, though, and I'm going to do some more.
I showed at Red River Revel in Shreveport earlier this month. I've done it for several years and it's always a great show. The weather was fantastic this year.
My son, Stefan, came with me this year to help out. It was nice not being by myself. As soon as he saw the camera he started looking everywhere but at me.
Here's a better shot of the cuff from earlier in the post. I believe this is called a Rutger fold. The red is reflected color from the tent we were in.
Here's another cuff I had at the show. I really liked how it turned out. The red on this cuff is from fire scale. It was so pretty I left it on. It was one of the first cuffs to sell at the show.
And here's a pendant in progress that is a mystery. I did finish this pendant and it sold at the show. I didn't put the liver of sulphur patina on it until I got to the hotel in Shreveport though. (Nothing like working until the very last minute.) This is where the mystery comes in. The liver of sulphur made a very brilliant iridescent patina on the brass, and a more muted patina on the copper.
The patina was a lot more colorful in person than this photo shows. I put more LOS on the copper portion to darken it, and removed the brilliant fuchsia and blues from the brass with steel wool. The brilliant colors just didn't go with the stone. I really want to recreate this on some more brass. I have no idea how it happened. If you've used LOS before you know it doesn't do much for brass. I have a few ideas and I'm going to experiment.
I have a book review on a great new book, Craft Activism, coming up shortly with a giveaway. And I'm going to have another giveaway to celebrate reaching 100 followers on the blog. Stay tuned.
As always, check out the other bead tables on Flickr:
I have a lot of pieces in progress on the bead table, some nearing completion and some not so near.
I haven't decided what to rivet onto the etched cuffs at the top yet. Most of the time when I etch the cuffs the background comes out rather matte, like the middle cuff. I don't know how the other two cuffs got shiny. It must be a different metal content since I etched them just like I always do.
The twisty things are brass and copper bails. The "queen" pendant lacks a couple of body parts but has the patina and the finish coat, as do the two spiral pendants beside her. I finished up the last batch of pearls and have some more in progress.
Pawlie Newman is snuggled up in my lap impeding my typing. In a minute he'll tire of the typing and then he'll be on the bead table.
Check out the other bead tables at:
I feel like I got a few things done today, even though I didn't do much work on the "magic" necklace. The morning started off with an AAUW (American Association of University Women) meeting that was quite productive. We finished it up a little after noon and then my friend Martha, of Menagerie Studio, and I decided to make a quick run into Dallas to the Rock Barrell. I wanted to get some turquoise cabs and she wanted findings.
We hit the interstate and within a few minutes were on a parking lot on a bridge across Lake Ray Hubbard. Traffic was barely moving. We were on the bridge for an hour and a half. At least it gave Martha and I time to catch up with each other.
Martha brought me the charms I had ordered from her.
I love these little charms even more now that I've seen them close up. The hearts with text have the works cherish and child on them with a floral texture on the back. The fleur de lis hearts have a clock texture on the back. These will become earrings. I think I'll keep the top pair for myself!
We exited the interstate at the first exit. There was a sign stating that the freeway was closed ahead. Wish they had posted that sign many miles earlier! We made it to the Rock Barrell 15 minutes before closing! I quickly found these cabs.
These cabs range from 8 to 25 mm. Most are turquoise, but there are two chrysocola, one fancy jasper, and one dyed howlite. Martha found some beads but not the findings she was after.
We drove home a completely different way. Since we were already in Dallas we had to make a few other retail stops.
Once home I worked a little on cleaning up the holes on the iron escutcheon plate I'm using on the "magic" necklace. The holes were jagged and just waiting to catch a drill bit so I ground them instead. I got them big enough for the rivets to go through, but I think they are going to give me trouble when I drill the back plate. That's a job for another day though.